Mr. and Mrs. Sowerberry, the insensitive couple who take in Oliver and use him in their funeral business. Coward, Barry and Peter Gaunt. (2017). The Stuart Age: England, 1603–1714, 5th edition, Longman, ISBN 113894954X. Survey of political history of the era.

The Cromwell Statue at Westminster– Icons of England". Icons.org.uk. Archived from the original on 14 March 2009 . Retrieved 29 July 2011.Mills, Jane, ed. Cromwell's Legacy (Manchester University Press, 2012) online review by Timothy Cooke

Boyer, Richard E., ed. Oliver Cromwell and the Puritan revolt; failure of a man or a faith? (1966) excerpts from primary and secondary sources. online Woolrych, Austin (1987). Soldiers and Statesmen: the General Council of the Army and its Debates (Clarendon Press), ISBN 0-19-822752-3, ch. 2–5. The Australian tour was a successful trip through Sydney, Melbourne, and Singapore from 2002 to 2004. The show, which mirrored Sam Mendes's production, was recreated by Graham Gill. John Waters played Fagin, Tamsin Carroll was Nancy, and the production also featured Stuart Wagstaff, Steve Bastoni and Madison Orr and Keegan Joyce in the title role, which was rotated between the two. The role of the Artful Dodger was shared between Mathew Waters and Tim Matthews, with Waters performing on the opening night. Waters declined the tour after the Sydney production to appear in the Hollywood movie Peter Pan. Will Les Miz Film Star Samantha Barks Make Her Broadway Debut in Oliver? | Broadway Buzz". Broadway.com. 1 March 2013 . Retrieved 26 May 2013.The Cromwellian Catastrophe in Ireland: an Historiographical Analysis (an overview of writings/writers on the subject by Jameel Hampton pub. Gateway An Academic Journal on the Web: Spring 2003 PDF) Stevenson, David (1990). Cromwell, Scotland and Ireland, in Morrill, John (ed.), Oliver Cromwell and the English Revolution (Longman), ISBN 0-582-01675-4, p.155. Korr, Charles P. (1975). Cromwell and the New Model Foreign Policy: England's Policy toward France, 1649–1658 University of California Press, ISBN 0-520-02281-5 Charles Worsley". British Civil Wars Project. Archived from the original on 7 March 2016 . Retrieved 6 August 2017.

Woolrych, Austin (1990). "Cromwell as a soldier", in Morrill, John (ed.), Oliver Cromwell and the English Revolution Longman, ISBN 0-582-01675-4 Hutton, Ronald (2021). The Making of Oliver Cromwell. Yale University Press, ISBN 978-0-300-25745-8. Kitson, Frank (2004). Old Ironsides: The Military Biography of Oliver Cromwell Weidenfeld Military, ISBN 0-297-84688-4 Woolrych, Austin (1987), Soldiers and Statesmen: the General Council of the Army and its Debates, Clarendon Press, ISBN 0-19-822752-3Act for the Settlement of Ireland, 12 August 1652, Henry Scobell, ii. 197. See Commonwealth and Protectorate, iv. 82-5". the Constitution Society. Archived from the original on 9 May 2008 . Retrieved 14 February 2008. Worden, Blair (1985). "Oliver Cromwell and the sin of Achan", in Beales, D. and Best, G. (eds.) History, Society and the Churches, ISBN 0-521-02189-8 The production closed on 8 January 2011, to be replaced at the theatre by the original London production of Shrek The Musical. [22] 2011 UK Tour [ edit ] Hirst, Derek (1990). "The Lord Protector, 1653–8", in Morrill, John (ed.), Oliver Cromwell and the English Revolution Longman, ISBN 0-582-01675-4 Cromwell's family". The Cromwell Association. Archived from the original on 12 September 2017 . Retrieved 6 August 2017.

Kenyon, John; Ohlmeyer, Jane, eds. (2000), The Civil Wars: A Military History of England, Scotland, and Ireland 1638–1660, Oxford University Press, ISBN 0-19-280278-X Eugene Coyle. Review of Cromwell—An Honourable Enemy. History Ireland". Archived from the original on 21 February 2001. Charlotte Sowerberry, the rude and often flirtatious daughter of Mr. and Mrs. Sowerberry. She enjoys a flirtatious relationship with Noah Claypole.Cromwell's hostility to the Irish was religious as well as political. He was passionately opposed to the Catholic Church, which he saw as denying the primacy of the Bible in favour of papal and clerical authority, and which he blamed for suspected tyranny and persecution of Protestants in continental Europe. [56] Cromwell's association of Catholicism with persecution was deepened with the Irish Rebellion of 1641. This rebellion, although intended to be bloodless, was marked by massacres of English and Scottish Protestant settlers by Irish ("Gaels") and Old English in Ireland, and Highland Scot Catholics in Ireland. These settlers had settled on land seized from former, native Catholic owners to make way for the non-native Protestants. These factors contributed to the brutality of the Cromwell military campaign in Ireland. [57] During the early 19th century, Cromwell began to be portrayed in a positive light by Romantic artists and poets. Thomas Carlyle continued this reassessment in the 1840s, publishing Oliver Cromwell's Letters and Speeches: With Elucidations, an annotated collection of his letters and speeches in which he described English Puritanism as "the last of all our Heroisms" while taking a negative view of his own era. [156] By the late 19th century, Carlyle's portrayal of Cromwell had become assimilated into Whig and Liberal historiography, stressing the centrality of puritan morality and earnestness. Oxford civil war historian Samuel Rawson Gardiner concluded that "the man—it is ever so with the noblest—was greater than his work". [157] Gardiner stressed Cromwell's dynamic and mercurial character, and his role in dismantling absolute monarchy, rather than his religious conviction. [158] Cromwell's foreign policy also provided an attractive forerunner of Victorian imperial expansion, with Gardiner stressing his "constancy of effort to make England great by land and sea". [159] Calvin Coolidge described Cromwell as a brilliant statesman who "dared to oppose the tyranny of the kings." [160]